We are constantly asked by photographers to provide them with image ideas for shoots that will be relevant according to current market needs. Here you have one idea for which there is always a great demand.

¿Do you have kids in your family, close circle of friends or acquaintances? Yes? Then you are so lucky, not only because they sure make life more fun, but because the daily life of children, with their routines and activities can be a great source of very interesting moments to photograph, especially to make natural images that show emotions. The children don’t have to be the cutest ad-perfect-kids; you just need know how to bring out their expressivity, whether humoristic  or completely the opposite.

Take the following essential points into consideration before you get started:

  • Model releases, model releases, model releases!!!! Even if the kids are your nieces, godsons or your best friend’s first child, to make your images available for the market, and to avoid any legal complications in the future, make sure that you have the model releases signed by their legal guardian.  See the model release section of our Road Atlas  and pay special attention to the paragraph regarding minors Model Releases.
  • Be very careful of how the children are portrayed, as the most innocent of the images can be considered highly suggestive for some. And always remember this: ABSOLUTELLY NO NUDITY. Images of naked or semi naked children will not be accepted. 

So here is a list of ideas based on an ordinary day of any kid that we hope serve you as a source for inspiration.

  • Wake up is a beautiful morning! - Morning routines
  • Lunch time!- During the day 
  • Home Sweet Home -Afternoon/Evening
  • Winding Down - Night time

The gallery ADORABLE CREATURES is a sample of children images that can be found at age fotostock that we are hoping will serve you as an additional source of ideas.


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Most photographers believe that shooting images, any images, of any subject, is enough to earn money. Many know that stock photography today is not what they knew years ago and have left the industry or will do soon, others are shooting microstock where the individual prices may not be great, but multiple 14 cents can make, if you are lucky, some money worth handling.

However, not all is as it seems and many photographers should pay attention to a number of details to see their results improve. Here are the Top 5 reasons for low sales results worth considering and putting into practice:

  1. Imagery that is not relevant is the most important reason that photographers lose business. Relevance describes how pertinent, connected, or applicable something is to a given matter.  Therefore if you go to the street and shoot images without thinking how they will be used, you are in fact wasting most of the time you are shooting. A thing is relevant if it serves a given purpose, being advertising, decorative or even editorial, but boring street scenes with little more acumen than point and shoot are for the most part a waste of digital technology and sadly many photographers shoot this way today. Who wants to spend time looking at boring, predictive, point and shoot images taken with a digital camera kit?

  2. Lack of MR/PR´s: No matter how many times it is repeated, photographers still don’t realize that shooting “editorial” (or “No MR available” in the industry terminology) is not a good idea now that stock agency websites sell images worldwide.  It’s a bad idea because (1) the editorial concept is not universal, but varies by country, so anyone can have a legal entanglement in a country where images could be published, but no “editorial protection” exists and (2) images of people without MR/PR´s can never be sold for commercial uses. In spite of all odds, there are still some lucrative advertising sales that “editorial photographers” will never see and in these moments of low prices, commercial uses supply a bit of oxygen to suffocated shooters.

  3. Bad captions and lack of good keywords is another pending matter that photographers who submit images need to overcome. It doesn’t even matter if keywords are added by the agency, because if an image of a beach only specifies in the caption “Cambodia” or “Vietnam,”  that image will have a little chance of sale or appearing on the web provided it is not uploaded to Flicker and even there the possibilities of selling it are, at best, slim. 

  4. Too few images and a lack of persistency is another revenue-eroding factor; nowadays, shooting constantly and submitting regularly to the stock agency of your choice is a must. Otherwise, you will get sporadic, lucky sales but not solid, persistent sales month after month. 

  5. Ranking, the capacity of your images of being seen in the first pages of the search results, affects those that don’t supply images regularly. Nobody wants to promote photographers who don’t submit frequently in these days when the offer of images is so vast that it makes the editing process difficult (and if the images are irrelevant, pretty tedious as well).

Take it or leave it, being a stock photographer today is hard and if on top of that, you miss the obvious, then you are severely limiting your own possibilities.


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The opinions expressed herein are my own personal opinions and do not represent my employer's view in anyway.

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