We’re absolutely thrilled to bring you this shockingly dramatic HIGHLIGHTS release. For the month in which Halloween raises its haunted head, we have elegance and magic in a collection of Black images, moody suspense from our Photographer Jesús Sierra, and a trick or treat selection that will have your skin crawling in delight.

 

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age fotostock HIGHLIGHTS - ISSUE 05

Tune into autumn in this issue of HIGHLIGHTS issue 5; pleasant hues of yellow warm up the evenings, photographer Andrea Matone reveals his quirky view of the life around him, and a selection of dynamic images take us on a journey within the frame.

 

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Aside from the camera, one of the most useful tools in stock photography is a small but very important scrawl. This signature on a Model Release form, which states that the subject of the photograph consents to being photographed, is extremely important - it can catapault your content from just the "editorial use only" sector into the full stock market of advertising, promotion, trade or product endorsement.

If you have the relevant releases your images can be used for commercial purposes, if not, what a pity! They may be licensed as editorial use only.

Understandably, at times this signature can be difficult to obtain. Sometimes it's difficult even just asking for it.  You may be shy, you may be busy, you may be in a foreign country where language barriers mean that you can barely ask for a glass of water let alone explain what it is you will happen to your images when you get home.  But we encourage you, & you´ll see it in your sales reports at the end of the month -  it's worth making the effort!

So how should you go about it?

A few weeks ago staff at age fotostock were impressed by a submission by our photographer Jorge Fernández Garcés, which included stunning images of people in Africa with complete model releases. Here follows some words from the wise:

Approaching the model:


"How I approach the signing of a model release depends on each situation and each model. My first concern when asking for a MR is if I will somehow create an unpleasant situation or mistrust, if so, I don’t try. Otherwise, if the subject is open to listening, I attempt to have someone there who speaks their language, to explain what they're really signing.

In distant countries and cultures so different to that of Western culture, I consider it essential to bring along a local guide and translator to help me to contact with people, as it is not always easy to convince someone to let you photograph, and much less for them to sign the MR. The most important thing here is undoubtedly find a guide who understands the needs of the photographer.

In my case I always ask the models to sign a paper rather than a electronic document. That’s firstly because I do not yet have a smartphone or ipad, and second because I think it is quite difficult to get anyone to sign a paper, let alone a electronic device. Although I am aware that in some cases it may arouse the curiosity of the person and facilitate the process."

Model reactions:


"There are people who are afraid to sign a paper and there are people who really do not care at all. I think it has much to do with the cultural environment. Westerners usually distrust anyone who asks them to sign a document. Other cultures that do not have so much contact with the bureaucracy do not give signing a paper very much importance.

In regards to these model released photos that I recently took in Africa,  I was traveling with my partner, along with a guide. In addition to helping with the preparation of the scene (flash illumination, etc..) she was responsible for identifying and organizing the signed MRs. For me this was very important, because sometimes we work with several models at once and things get busy - had I been alone, as I was taking the photos, probably many of the pictures would not be accompanied by MR."

Some advice?

"If you are in a foreign country, it is important to have an assistant who is in charge of organizing the MRs once obtained, especially if you are working in the street with several different subjects. And of course it may seem silly, but always carry spare MRs and a pen, as it is not always easy to find a pen when you need one!"

- Jorge Fernández Garcés

To all our photographers out there, what are your experiences of obtaining Model Releases? Any suggestions you´d like to share?


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This month's photo submissions call is for images that will be in season in October - that means fall & halloween; crunchy leaves, scarves, red and orange colours, mystery, harvest time. For those  photographers out there with images you haven't yet submitted from last fall, please do so now!

If you just can't resisting shooting your pumpkins, keep in mind that a creative photo with an interesting approach or angle will make your image stand out from the masses.

 

Pumpkins epitomize both harvest and halloween - but please don't feel that the squash is the limit. We're also in need of new & different halloween themed images.

 

Take for example this photo that Emilio Ereza submitted a few years back, which is one of our favourites.

Are any of you other photographers' out there keen to photograph an image equally mysterious, atmospheric and captivatingly halloweenish?


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To quote a photographer in age fotostock's photographers' chatroom:

"To produce great images, money isn’t the main necessity. It´s imagination, conceptualization and being able to use available resources that are the most important things"

Words from the wise - it’s true! We’re finding that photographers don’t need to break open their piggy banks for a photo shoot with top models in the Caribbean in order to make images that sell. They needn’t even leave their neighborhood. With a general shift in image trends, the world of design and publicity is tending towards images that mix creative flair with real life moments, images that give us a unique way of seeing the most ordinary things.

Photographers, look around you - there’s a high chance that your best photos can be taken in exact spot in which you’re standing. Attention to detail, a creative angle, willing friends that will sign a model release (hey, this is one of the only times it’s suitable to say “shoot your children”), people going about their daily lives, in natural locations – with a little imagination all of these make excellent ingredients for images that can quite simply knock your socks off. Remember, gold is not the only thing that glitters…!


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The opinions expressed herein are my own personal opinions and do not represent my employer's view in anyway.

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