Red Alert! These images were rejected due to elevated risk of Trademark Infringement.

As we discuss in the legal section of our Road Atlas for Photographers, a trademark is “a word, phrase, symbol or design, or a combination thereof that identifies and distinguishes the source of the goods/product.”  Some examples are the Nike “Swoosh” and the Rolls Royce symbol, or as you can see, the Rubik cube and Chupa Chups wrapper .  In order to infringe a trademark or a service mark, a photograph has to be used in a way that creates confusion about the source of the goods or services depicted or implies endorsement or association.  So you see, in itself, a photo doesn’t infringe a trademark.  It is the use of the photo which can infringe the trademark.

Determining which images could infringe trademarks isn’t an easy three step process.  It is a complex matter involving laws, image uses, intentions and levels of risk.  From this big “grey area,” a stock agency must determine a policy for their photographers.  The result is comparable to the ratings that appear in U.S. airports which use 5 different colors to reflect the possibility and gravity of a terrorist attack.  The color posted is a prediction made by the government, after analyzing information collected from many different sources.  It is no guarantee that there will be an attack on a “Red” (severe risk) day or that there won’t be an attack on a “Green” (low risk) day.

Stock agencies have a similar, daunting mission as they determine risk of trademark infringement.  Hypothetically, any image which includes a trademark could be used in a way that infringes the trademark or could be used legitimately. 

Some, notably the microstock agencies, opt for a very cautious approach for very obvious reasons.  They treat any appearance of a trademark as a “Red” level threat, and simply reject all such images.  This might be an appropriate decision for microstock because generally they have little or no contact at all with their clients and awareness or control of how the clients use their images.

age fotostock is a much more traditional stock agency that keeps a constant and open personal dialogue with photographers and clients. Every image received is reviewed by professional experts that evaluate the level of risk of trademark infringement by considering how easily an image could be misused by a client and how serious a misuse would be.  The images posted above were evaluated as “Red” level risks because they show the trademark/logo as the primary subject of the photograph.  A client might still use the image legitimately, but there is a greater chance that if they use an image showing just the “Chupa chups” candy, people might think that the client is being endorsed or sponsored by the Chupa Chups Company.  Please avoid sending us “Red” level images, such as the ones above, which show a trademark as the primary subject with no further context.
Below you can see examples of “Green” level (lower risk) images on our website in which trademarks do appear, but within a larger context, not as the subject of the image.  For example, images of store sales might show a number of brand names (trademarks), but they illustrate concepts such as economic activity, recovery or growth.  It is less likely that the image would be used out of context by a client, and the client would have to make an extra effort to do so, by zooming in on the trademark to remove it from its context or such.


Please note, that just like the Green terror alert ranking, the lowest level of trademark risk is “low risk,” not “no risk.”  When possible, eliminate risk completely by not showing logos and trademarks or removing them from the photographs. This will help you avoid receiving a letter from a lawyer some future day...

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Being a photographer is about visual experimentation and imagination. Imagination should separate your photography from the rest of the crowd. If your images are very similar to those from thousands of shooters, their market value will be lower than images in a microstock subscription model…  Photography only has three tools to make your images of landscapes, cathedrals, people, animals or objects look different from the rest. They are: your lens and equipment, your style and your imagination.  Wildlife photographer, Anup Shah, used imagination to make these standout animal shots.

The images are a breath of fresh air or maybe better put, a breath of fresh hyena. The wide angle view, the ground level perspective and the extreme proximity of the camera to the subject show us African wildlife as it is hard to see from a safari van (if you don´t want to risk your life). Ok, he may have used a beetle-cam of some sort to take them, but using imagination to have an unusual perspective is what differentiates one photographer from another or better still, differentiates an image from another. The compositions of the images we show here, a small selection of the great work he sent, using a stretching elephant trunk or high-stepping wildebeast legs to frame the rest of the shot, are daring and accomplished.  A final mark of Shah´s professionality can be read in the image description which includes the common and latin name for the animal, as well as the specific location of the shot.  

So the question remains, when you take your camera out on the street or into the wilderness to take photos, how much imagination do you put in your photography? How much effort do you put in your shots to make your images personal and different?  You might not be a wildlife photographer, but you should also experiment with different lens, styles, angles, perspectives and compositions.  Will your image surprise or bore a client or photo editor?  The market is full of dull, repetitive images, it craves new and surprising shots.

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People say that your photographs should "tell a story” or at least express an idea.  But frequently our clients will be choosing your photos to match their own "story," be it an article on the health benefits of pomegranate or the bank’s Happily Ever After story of a young couple that saved for retirement. For example, see how we tell this story of Joy using the images of age fotostock photographers. Is your photo among them?

If you liked that story and would like to see another or if you’re still looking for one of your photos, take a look at Hope and Chaos below…

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